With the finish of my sweet-Christian romance, Courtships and Carriages, I reflected on how much a good product stems from those behind the scenes. In other words, an author needs a good team. These include an eye-appealing cover, good editors and having a story which takes people on a journey that entices readers to read more and want more.
An eye-appealing cover is important, such as the one for my newest release, Courtships and Carriages. This beautiful cover is above.
However, getting a good design which matches your novel is not easy. It takes the right photograph as well as relaying the right story concept. Mine says sweetness and romance, all fitting the story. But other genres require different qualities, such as a horror book depicting dark or black designs to denote evil lurking in the corridors.
At a glance, readers need to know what lies behind the cover. Currently, I am reading, Doctored Evidence. What is on the cover? A picture of a doctor’s stool and the type of bed you would find in his office or in an emergency room. As indy publishers or with certain traditional publishers, you can have some input on your cover. But a traditional-published book without an author’s input, places that author’s story at the whims of their graphic designer. This could lead to disastrous results like a cover depicting a man wearing pajamas, but no scene contains anything of that sort.
A good cover also needs to focus on not more than three concepts. My Courtships and Carriages has three — the girl, the basket and the yellow-wheeled carriage. Each of these are important to the storyline.
If you are a self-published author, you need to make sure you hire a professional to do your design work or are proficient in developing a cover. I met an author a couple of years ago who used his mother’s painting of their Alaskan cabin for the cover. It was awful. After talking to the man, I heard intriguing stories about his family’s experience in Alaska, such as a bear peeking into their window when a certain television show was on air. I bought his book after talking to him, but if I only had seen his cover I would have dismissed it.
Another must is to line yourself up with good editors. I cannot tell you the importance of having an excellent team in this regard. I have readers who look over my manuscript from a reader’s perspective. One reader is especially knowledgable about farm animals since she grew up on a farm. She also is a great resource for lanterns and cooking without electricity because she experienced these.
However, I also have wonderful editors. They are great in finding grammar and spelling errors, historical inaccuracies, making the story flow smoothly and providing suggestions to improve the overall work. I am so grateful and I cannot thank them enough. Without this team, my work could end up in a wastebasket.
Of course, a key is to have a story which makes readers turn pages. I cannot tell you how heartsick I was last year to learn that my story needed major changes. It would not work as a book in a series as I planned so I made changes and started a new series, beginning with Courtships and Carriages. Her input was extremely valuable. It improved the work and although I hated to hear this terrible news it also was what I needed to hear. The story is better and it freed me from having to stay under the guidelines of a villainous character which I was trying to turn into good. Now the story flows and the characters shine. Thanks so much to this special person.
So line up a great team. One which also works for you and remember this sometimes takes time to find, but you will and as always I will end with a God bless.